troupe
adam lee agustin lamas amber allayiotis anastasia dale
adam lee agustin lamas amber allayiotis anastasia dale
andrew cremen andy ostojic apollo zephyr aubrey wang
andrew cremen andy ostojic apollo zephyr aubrey wang
ava broinowski bambi cheung ben blackler bryson grenfell
ava broinowski bambi cheung ben blackler bryson grenfell
elise kemp hamish bell hamish sharrocks henry lee jack mcevoy
elise kemp hamish bell hamish sharrocks henry lee jack mcevoy
chelsey catena claude ivery daniel saunders diaan vitnell
chelsey catena claude ivery daniel saunders diaan vitnell
james kerrin jie lols li kyrah brock-fenton leilani faasisila
james kerrin jie lols li kyrah brock-fenton leilani faasisila
leviticus shi lottie world michael brien mimi aitken naomi belet
leviticus shi lottie world michael brien mimi aitken naomi belet
paul soraunos richie clarke romy wild sally williams sam goldrick
paul soraunos richie clarke romy wild sally williams sam goldrick
shanel dilip sid darawshe sosh pouhila afa tessie yu umki victoria lenehan warren paul glover ziggy tow
shanel dilip sid darawshe sosh pouhila afa tessie yu umki victoria lenehan warren paul glover ziggy tow
working, happening, on gadigal/wangal land
Sydney Dramaturgical is a new theatre company run by young people for everyone.
We believe theatre cannot be automated. We champion new writing for an intelligent Australian audience, not by pandering but by trusting them to come with us.
We would like to stay, awaken the dead, and make whole what has been smashed. We believe in an ontology of events—each performance a local coincidence, a one-time arrangement of bodies, light, air, and thought. We make work with the urgency of now, knowing it could only happen here.
Aubrey Wang is a writer and theatre-maker based in Sydney. Their work explores aftermath, entropy, and the erotics of abjection, often through a blend of autofiction, satire, and speculative dramaturgy. They are the founding producer of Sydney Dramaturgical Company and are currently staging shows for the 2025 Sydney Fringe Festival, including an original transliteration of Antigone, and Doomers, a family drama disguised as a boardroom tech meltdown. Aubrey’s writing has appeared on stages and screens, and has been recognised at the New York Shorts Festival. They are interested in psychoanalysis, the aesthetics of bureaucracy and the limits of communication.